They are usually named for the type of foot used and the number of feet in a verse, for example the iambic pentameter is made of five iambs so the verse’s rhythm is
da-DUM | da-DUM | da-DUM | da-DUM | da-DUM
Meters usually refer to the structure of individual verses, but can be extended to the whole poem. For example a whole poem can consist of nothing but dactylic hexameters.
Meters should also be distinguished from the form of a poem, which refer to its overall structure, including its use of various meters and rhyming.
Meters in English poetry
- Monometer
- Iambic monometer
- Dimeter
- Iambic dimeter
- Trimeter
- Tetrameter
- Pentameter
- Hexameter
This list is not exhaustive, as it is not possible to list the different combinations of feet and number of feet that can be used in a poem.
Modifying the meter
Catalexis: addition or removal of syllables or feet
Poets often remove or add syllables to specific meters for various effects.
For example, Shakespeare adds a syllable to the eight line of Sonnet 116:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
- William Shakespeare, Sonnet 116, Lines 5-8
Shakespeare generally wrote his sonnets in iambic pentameter, i.e. 10 syllables a verse with even syllables stressed, but line 8 is written with an extra unstressed syllable:
Whose WORTH’S | unKNOWN, | alTHOUGH | his HEIGHT | be TAK | en
Such an addition of a syllable, or the addition of a whole foot, to a verse of a specific meter is known as hypercatalexis; the meter of line 8 can be called iambic pentameter hypercatalectic.
On the other hand, the removal of a syllable is known as catalexis and the removal of a foot is known as brachycatalexis.3
| Type | Adjective | Description |
| Catalexis | Catalectic | Removal of a syllable |
| Brachycatalexis | Brachycatalectic | Removal of a foot |
| Hypercatalexis | Hypercatalectic | Addition of a syllable or foot |
Antipodia: exchanging feet
Another way poets alter the meter of their poems is to exchange one type of foot for another.3
A famous example is from Shakespeare’s Hamlet:
To be, or not to be: that is the question:
Highlighting the accents and feet:
To BE, | or NOT | to BE:| THAT is | the QUES | tion
While the verse is generally in iambic pentameter, the fourth foot (”that is”) is changed to a trochee.
Scanning
Scanning1 is the process of
- dividing a verse of a poem into its constituent feet,
- classifying syllables into stressed and unstressed syllables (for English poems), and
- determining the nature of each foot
The meter of a verse is then the number and type of feet used.
References
- Leverett, F. P. (1832). The new Latin tutor. Hilliard, Gray, Little and Wilkins.
- Fowler, W.C. (1855). The English Language in its Elements and Forms. Harper & Brothers.
- Ironside, G.E. (1820). A Grammar of the Greek language. E. Duyckinck and G. Long.
Sonetti - a free e-book showcase of modern sonnets by poets from all walks of life - is now available for embedding or downloading!

