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Meter

Meter in English poetry refers to the repetitive pattern of stressed (or accented) and unstressed syllables.2

They are usually named for the type of foot used and the number of feet in a verse, for example the iambic pentameter is made of five iambs so the verse’s rhythm is

da-DUM | da-DUM | da-DUM | da-DUM | da-DUM

Meters usually refer to the structure of individual verses, but can be extended to the whole poem. For example a whole poem can consist of nothing but dactylic hexameters.

Meters should also be distinguished from the form of a poem, which refer to its overall structure, including its use of various meters and rhyming.

Meters in English poetry

This list is not exhaustive, as it is not possible to list the different combinations of feet and number of feet that can be used in a poem.


Modifying the meter


Catalexis: addition or removal of syllables or feet

Poets often remove or add syllables to specific meters for various effects.

For example, Shakespeare adds a syllable to the eight line of Sonnet 116:

O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth’s unknown, although his height be taken.
- William Shakespeare, Sonnet 116, Lines 5-8

Shakespeare generally wrote his sonnets in iambic pentameter, i.e. 10 syllables a verse with even syllables stressed, but line 8 is written with an extra unstressed syllable:

Whose WORTH’S | unKNOWN, | alTHOUGH | his HEIGHT | be TAK | en

Such an addition of a syllable, or the addition of a whole foot, to a verse of a specific meter is known as hypercatalexis; the meter of line 8 can be called iambic pentameter hypercatalectic.

On the other hand, the removal of a syllable is known as catalexis and the removal of a foot is known as brachycatalexis.3

Addition or removal or a syllable or foot
Type Adjective Description
Catalexis Catalectic Removal of a syllable
Brachycatalexis Brachycatalectic Removal of a foot
Hypercatalexis Hypercatalectic Addition of a syllable or foot

Antipodia: exchanging feet

Another way poets alter the meter of their poems is to exchange one type of foot for another.3

A famous example is from Shakespeare’s Hamlet:

To be, or not to be: that is the question:

Highlighting the accents and feet:

To BE, | or NOT | to BE:| THAT is | the QUES | tion

While the verse is generally in iambic pentameter, the fourth foot (”that is”) is changed to a trochee.

Scanning

Scanning1 is the process of

  1. dividing a verse of a poem into its constituent feet,
  2. classifying syllables into stressed and unstressed syllables (for English poems), and
  3. determining the nature of each foot

The meter of a verse is then the number and type of feet used.

References

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